![]() ![]() ![]() This is my very first post on Reddit and I hope I am putting this post at the right forum. I am also planning to get Komplete 12 Ultimate if I get a really good deal during Black Friday, surprisingly, it doesn't seem to have any Bagpipe instrument, maybe I have missed something. I am planning to buy one this Thanksgivings. If you have you ever tried one of these, can you please share your experience? The first option sounds really good to me. I have come across following BagPipe VSTsġ) Uilleann Pipes - Didn't try demo but sounds goodĢ) Universal Piper - Tried demo, its goodģ) UVI World - Suit of ethnic instruments, seems ok.Ĥ) SoundBytes - Found horrible customer reviews I think BagPipes are great for producing nice melodies. I am looking for a good BagPipe VST at a decent budget. I want to create my own songs from scratch and I have been working on it. can't do anything without them!)Īt some point we'd set a release date, and maybe build up some hype with marketing and PR pushes.I have recently started exploring music production. (A beta team usually helps with this testing, as well as creating demos. We'd determine the scope of the virtual instrument-what articulations it has, how deeply it is sampled (mics, round robins, dynamic layers, etc.)-and then preparations are made: hiring musicians and engineers, reserving studio time, creating the scores, etc.Īfter the recording sessions are done, we'll intake the audio, do a NR pass, cut and normalize (and potentially process and/or tune-up) the samples depending on the needs of the instrument(s) we're making, name them all, and then place them into the engine (usually Kontakt) and work on tweaking the script, UI/UX, and certain value parameters until the library 'feels' correct. Most of the time we'll either have something in mind that we'd like to have as composers ourselves, or see a clear hole in the market that we'd be particularly well-suited to fill. Here's how it generally goes in any of the companies I've done work for: And if youre in a pinch, SampleTank has a Bagipes patch under 'Ethnic' but its not as good as the first two. Kontakt has a Uillean Pipes patch in the World library. My guess is that if you do find a virtual pipe you like, it will be some sort of Uilleann. You might already have one if you have one of these libraries. Much easier to control and to mix with other instruments in the room and on the desk. were Scottish (and thus, as the movie even showed, would be using the Great Highland ). YoJo 0.00 Add to cart Reflekt Audio Beats. It is also equipped with some essential effects such as attack, decay, sustain, release, reverb, filter, and pitch. Furthermore YoJo consist of 4 layer-able banjo sounds that you can tweak to create a full unique and realistic banjo sound. This is, incidentally, why James Horner went with the Uilleann as the key pipe sound for Braveheart, even though it's an Irish pipe and William Wallace & co. Yojo is a 100 FREE VST plugin created by Reflekt Audio and Eumonik. It's the ante-in, the bare minimum, the sine qua non, but all of the above has to happen on top of the initial cost outlay. In short, pipes are one of the hardest and most expensive instruments to really 'get right'-in any step in the production process-in the sampling world, which is why you'll probably be severely underwhelmed by anything that doesn't cost an arm and a leg.and even then it is a maybe and not a guarantee that the expensive option is even that much better. Preserving the intonation (and subsequent sympathetic resonation) of the instruments while also making them playable in even ONE key that plays nicely with other instruments, much less making them chromatically-accessible, is a giant headache! Most bagpipes are not just not chromatic, but their sense of tuning differs from the common A440/12TET that make virtual instruments easy to use.Having these intelligently happen in the right places and sounding correctly is a logistical and scripting challenge. Furthermore to point 3, because the sound is continuous, various piping traditions have established a number of ornamental figures to provide separation and relative energy/importance to notes.There are drones and a chanter-the sound is continuous, polyphonic, and multifaceted-and this presents some serious complications when scripting virtual performance possibilities and workflows.(And this, not to mention the correct relative microphone placement!) Capturing the fullness of that sound accurately indoors requires, at the least, a huge room with good (and, moreover, appropriate) acoustics, which is not cheap to come by. Perhaps not so much for the Uilleann pipes, but most bagpipes are traditionally LOUD, outdoor instruments.Bagpipes are a relatively uncommon instrument, so finding pro-level players to sample is harder than, say, finding a clarinetist or violinist.Speaking as someone who makes virtual instruments for a living, the main issues here are: ![]()
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